Instead, it argues that they are keyboard concertos in the same two keys and were designed for performance on either harpsichord or organ. 1738), the D-minor and E-major harpsichord concertos (BWV 1052–1053) and their related movements in cantatas 49, 146, 169, and 188, and challenges the notion that they are concertos for violin, oboe, or any other solo instrument. This chapter analyzes the two first entries in the autograph manuscript P 234 (ca. This can only mean that neither the clergy, the congregation, nor anyone else objected to this innovative type of church music. ![]() ![]() Bach presented church cantatas with concertato organ sinfonias several times between 17. This chapter explores the prehistory of the cantata movements with obbligato organ and asks whether Johann Sebastian Bach wrote organ concertos by focusing on the sinfonias of his Cantatas 146 and 169.
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